Crowd in C[loud] : Audience Participation Music with Online Dating Metaphor using Cloud Service

Presented at the 2nd Web Audio Conference (WAC), April 4-6, 2016, Atlanta, Georgia.In this paper, we introduce Crowd in C[loud], a networked music piece designed for audience participation at a music concert. We developed a networked musical instrument for the web browser where a casual smartphone user can play music as well as interact with other audience members. A participant composes a short tune with five notes and serving as a personal profile picture of each individual through- out the piece. The notion of musical profiles is used to form a social network that mimics an online-dating website. People browse the profiles of others, choose someone they like, and initiate interaction online and offline. We utilize a cloud service that helps build, without a server-side programming, a large-scale networked music ensemble on the web. This paper introduces the design choices for this distributed musical instrument. It describes details on how the crowd is orchestrated through the cloud service. We discuss how it facilitates mingling with one another. Finally we show how live coding is incorporated while maintaining the coherence of the piece. From rehearsal to actual performance, the crowd takes part in the process of producing the piece

Crowd in C[loud]

Presented at the 2nd Web Audio Conference (WAC), April 4-6, 2016, Atlanta, Georgia.Crowd in C[loud] is an audience participation music piece played on a distributed musical instrument. Inspired by Terry Riley's “In C”, audience members play a short tunes composed by themselves on their smartphones. The collective outcome of the ensemble creates a heterophonic texture of chance, largely in C chord. The instrument mimics an online dating website in which a user browses personal profiles, likes someone, and mingle with other online users. Participants are guided to play music together and to interact with other audience members in this temporary social network. A performer can actively progress the music by orchestrating the crowd by live coding on the console of the web browser